About
Behind the kit
I was born in Hong Kong, grew up in a Filipino household, and found metal
early. I helped start Parallel Horizons as a teenager — we walked into
a city-wide Battle of the Bands and took Best Drummer, which was the first
time anyone outside the metal scene told me this might be something.
That band became one of Hong Kong's most visible heavy exports: a debut album
the South China Morning Post named among the year's best indie
releases, a headline slot at a festival in Manila, and a decade of shows on
The Underground's stages.
Since then the work has stacked up. Drums for Perish of Empyrean, who credit me
with finally letting them record and play again. Drums across Mind Rot's
Hymns of Despondency. Guest sessions, dep gigs, a collaboration EP with
the IDM artist Loisey, and a new Parallel Horizons single.
I play a Tama Starclassic Bubinga Elite, a wall of Zildjian Ks, and I record
with no samples on the kit — just triggers blended into the kick. What
you hear is what I played. That standard is what I teach.
“Drums are loud enough — you don't have to hit them loud.”
Shaun Apellido, The Insight Out, 2021